Video Production and Post Tips of the Week

磁力链接/BT种子名称

Video Production and Post Tips of the Week

磁力链接/BT种子简介

种子哈希：61b16ca69a59e966eb8a1c085b5e6c7a2a7ce5a9
文件大小： 5.97G
已经下载：184次
下载速度：极快
收录时间：2018-04-09
最近下载：2025-08-30

移花宫入口

移花宫.com邀月.com怜星.com花无缺.comyhgbt.icuyhgbt.top

磁力链接下载

magnet:?xt=urn:btih:61B16CA69A59E966EB8A1C085B5E6C7A2A7CE5A9
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下载BT种子文件

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文件列表

  • 001.Using a GoPro to record a timelapse.118s.mp4 18.0 MB
  • 002.Recording as stills.252s.mp4 37.5 MB
  • 003.Recording as video.151s.mp4 22.7 MB
  • 004.Assembly.453s.mp4 54.0 MB
  • 005.The new GoPro HERO5 Black.144s.mp4 21.7 MB
  • 006.Video stabilization.202s.mp4 30.1 MB
  • 007.Linear lens correction.261s.mp4 35.6 MB
  • 008.Waterproof.258s.mp4 38.4 MB
  • 009.Raw photo.204s.mp4 29.9 MB
  • 010.Improved software.283s.mp4 41.9 MB
  • 011.Why is there buzz in my audio.70s.mp4 10.6 MB
  • 012.Removing buzz during production.356s.mp4 52.6 MB
  • 013.Removing buzz during post.444s.mp4 45.2 MB
  • 014.What is noise.154s.mp4 22.1 MB
  • 015.Reducing noise and grain in After Effects.562s.mp4 56.3 MB
  • 016.Using Neat Video noise reduction.598s.mp4 55.8 MB
  • 017.What is Rec. 2020.462s.mp4 66.0 MB
  • 018.Rec. 2020 in production and post.297s.mp4 44.2 MB
  • 019.Rec. 2020 for consumer products.280s.mp4 40.6 MB
  • 020.Recording the screen of a phone or tablet.97s.mp4 14.6 MB
  • 021.Recording software for PC.379s.mp4 43.9 MB
  • 022.Recording software for Mac.352s.mp4 50.3 MB
  • 023.Recording hardware.228s.mp4 33.9 MB
  • 024.How do I light a product shot.73s.mp4 11.4 MB
  • 025.How to set up the background.154s.mp4 23.2 MB
  • 026.Using turntables to add motion.181s.mp4 27.1 MB
  • 027.Lighting components.347s.mp4 51.4 MB
  • 028.How can gimbals help stabilize shots.84s.mp4 12.8 MB
  • 029.Full-size gimbals.254s.mp4 37.7 MB
  • 030.Portable gimbals.297s.mp4 42.4 MB
  • 031.What is depth of field.250s.mp4 37.1 MB
  • 032.Wider aperature.301s.mp4 44.0 MB
  • 033.Using a telephoto lens.225s.mp4 33.5 MB
  • 034.Intro.157s.mp4 22.8 MB
  • 035.Single camera.578s.mp4 60.5 MB
  • 036.Multicamera rig.357s.mp4 50.6 MB
  • 037.Challenges of skin tones.238s.mp4 35.5 MB
  • 038.Essential items.230s.mp4 34.3 MB
  • 039.Advanced techniques.427s.mp4 62.5 MB
  • 040.The role of headphones in production and post.221s.mp4 33.0 MB
  • 041.Headphone designs.416s.mp4 61.6 MB
  • 042.Advanced techniques.254s.mp4 37.9 MB
  • 043.Why color correct live on set.146s.mp4 21.4 MB
  • 044.Working with a laptop only.318s.mp4 38.3 MB
  • 045.Using a breakout box.476s.mp4 59.3 MB
  • 046.Using a LUT box.550s.mp4 60.8 MB
  • 047.What is a GPU.216s.mp4 32.2 MB
  • 048.Desktop and mobile GPUs.455s.mp4 67.2 MB
  • 049.Specifications to look out for.502s.mp4 73.9 MB
  • 050.Benefits of using a drone.333s.mp4 48.9 MB
  • 051.Challenges of shooting people.301s.mp4 44.2 MB
  • 052.Safety advice.337s.mp4 49.5 MB
  • 053.What is DCI P3.271s.mp4 36.9 MB
  • 054.DCI P3 in production and post.295s.mp4 42.1 MB
  • 055.DCI P3 for consumer products.328s.mp4 46.0 MB
  • 056.What is LTO.342s.mp4 48.8 MB
  • 057.Connection and generation options.441s.mp4 60.0 MB
  • 058.Creating and using an LTO archive.421s.mp4 52.0 MB
  • 059.Using LTO cataloging software.326s.mp4 36.4 MB
  • 060.The challenge of proper exposure.192s.mp4 28.6 MB
  • 061.Using ISO or gain.274s.mp4 40.7 MB
  • 062.Using aperture.315s.mp4 45.5 MB
  • 063.Using shutter speed.488s.mp4 70.3 MB
  • 064.What is 3–2–1 backup.117s.mp4 16.1 MB
  • 065.3 copies.252s.mp4 36.0 MB
  • 066.2 formats.186s.mp4 26.4 MB
  • 067.1 offsite.394s.mp4 57.6 MB
  • 068.Shooting video with the iPhone 7.202s.mp4 30.0 MB
  • 069.Using the dual lens system on the iPhone 7 to shoot video.232s.mp4 33.5 MB
  • 070.Expanded functionality with the Mavis app.297s.mp4 42.7 MB
  • 071.Why you need a clean sensor.105s.mp4 15.0 MB
  • 072.Cleaning the sensor with the menu or a blower.250s.mp4 35.6 MB
  • 073.Dry sensor cleaning.465s.mp4 68.3 MB
  • 074.Wet sensor cleaning.319s.mp4 46.6 MB
  • 075.Why batteries.112s.mp4 16.8 MB
  • 076.Lights with internal batteries.248s.mp4 37.0 MB
  • 077.Lights with external batteries.334s.mp4 49.4 MB
  • 078.Using a generator.178s.mp4 26.6 MB
  • 079.Why change the color of lights.186s.mp4 25.6 MB
  • 080.Affordable methods.279s.mp4 41.4 MB
  • 081.Changing the temperature of fluorescent fixtures.383s.mp4 56.7 MB
  • 082.Bicolor and RGB lights.283s.mp4 42.1 MB
  • 083.Aesthetics for high-angle shooting.110s.mp4 16.9 MB
  • 084.Operating advice for getting high angles.287s.mp4 42.7 MB
  • 085.Safety advice.325s.mp4 48.0 MB
  • 086.Reasons to record live video on set.90s.mp4 13.8 MB
  • 087.Capturing with Blackmagic's Media Express.415s.mp4 44.4 MB
  • 088.Capturing with an NLE.285s.mp4 25.2 MB
  • 089.Doing a test key with a captured file.265s.mp4 23.7 MB
  • 090.The challenges of recording audio.104s.mp4 15.9 MB
  • 091.Using an attached mic.301s.mp4 43.5 MB
  • 092.Obstacles when using a lavalier microphone.204s.mp4 30.6 MB
  • 093.What is YouTube Live Streaming.126s.mp4 16.7 MB
  • 094.Setting up an account.258s.mp4 33.9 MB
  • 095.Enabling and running a broadcast on YouTube Live Streaming.392s.mp4 47.2 MB
  • 096.Variable ND filters.113s.mp4 17.3 MB
  • 097.When to use a variable ND.266s.mp4 38.4 MB
  • 098.The mechanics of using a variable ND.258s.mp4 38.3 MB
  • 099.Why monitor wirelessly.166s.mp4 24.9 MB
  • 100.Wi-Fi monitoring.232s.mp4 34.5 MB
  • 101.RF monitoring.304s.mp4 44.4 MB
  • 102.How to capture audio from a distance.109s.mp4 16.8 MB
  • 103.Shotgun microphone.297s.mp4 43.6 MB
  • 104.Boom microphone.297s.mp4 44.1 MB
  • 105.Wireless microphone.298s.mp4 44.0 MB
  • 106.The impact of frame rate.263s.mp4 35.9 MB
  • 107.Shooting with standard frame rates.231s.mp4 31.8 MB
  • 108.Shooting with high frame rates.350s.mp4 51.2 MB
  • 109.Manually focusing.140s.mp4 21.2 MB
  • 110.Why manual focus.201s.mp4 30.2 MB
  • 111.Manual focusing technique.315s.mp4 46.7 MB
  • 112.Aesthetics for low-angle shooting.198s.mp4 29.8 MB
  • 113.Operating advice for getting low angles.260s.mp4 38.6 MB
  • 114.Safety advice.263s.mp4 39.3 MB
  • 115.What is Google Hangouts.102s.mp4 14.2 MB
  • 116.How to start a Google Hangout.400s.mp4 57.9 MB
  • 117.How to start a Google Hangout On Air.349s.mp4 36.2 MB
  • 118.Advanced options for Google Hangouts On Air.419s.mp4 54.3 MB
  • 119.Control room for Google Hangouts On Air.242s.mp4 27.1 MB
  • 120.The benefits of stabilization.245s.mp4 36.5 MB
  • 121.Using the DJI Ronin.273s.mp4 40.5 MB
  • 122.Using the DJI Osmo.299s.mp4 44.3 MB
  • 123.Using the ikan FLY-X3.265s.mp4 39.5 MB
  • 124.The importance of white balancing.121s.mp4 18.4 MB
  • 125.Using presets.272s.mp4 34.5 MB
  • 126.Setting the color temperature.301s.mp4 44.6 MB
  • 127.Performing a custom white balance.171s.mp4 22.4 MB
  • 128.Why use log mode.256s.mp4 38.1 MB
  • 129.Recording log mode in camera.383s.mp4 49.8 MB
  • 130.Recording log mode with a disk recorder.293s.mp4 43.5 MB
  • 131.The challenge of one light.128s.mp4 19.5 MB
  • 132.What other gear do you need.249s.mp4 37.0 MB
  • 133.Recording log mode in camera.310s.mp4 45.9 MB
  • 134.Log-encoded video.107s.mp4 16.3 MB
  • 135.Where does log come from and why use it.244s.mp4 36.5 MB
  • 136.Viewing log.306s.mp4 42.8 MB
  • 137.Three-point lighting.88s.mp4 13.6 MB
  • 138.The key light.236s.mp4 35.1 MB
  • 139.The fill light.226s.mp4 33.7 MB
  • 140.The back light.186s.mp4 27.8 MB
  • 141.Additional options.121s.mp4 18.0 MB
  • 142.Memory cards and readers.104s.mp4 16.1 MB
  • 143.Card types and speeds.450s.mp4 63.1 MB
  • 144.Memory card readers.248s.mp4 37.0 MB
  • 145.What is a Boom Mic and When Should I Use It.238s.mp4 35.5 MB
  • 146.Holding the Boom.170s.mp4 25.7 MB
  • 147.Pointing the Microphone Correctly.142s.mp4 21.5 MB
  • 148.What is the 'right' Shutter Speed.227s.mp4 32.9 MB
  • 149.Shooting With a Slower Shutter Speed.236s.mp4 35.0 MB
  • 150.Shooting with a Higher Shutter Speed.303s.mp4 44.8 MB
  • 151.What is transcoding.171s.mp4 20.1 MB
  • 152.When Should I Transcode.375s.mp4 51.5 MB
  • 153.How Do I Transcode.705s.mp4 66.0 MB
  • 154.Why Might I Skip Transcoding.155s.mp4 23.5 MB
  • 155.Using Facebook Livestream.85s.mp4 13.1 MB
  • 156.Essential gear for live streaming.206s.mp4 30.8 MB
  • 157.Starting a broadcast on Facebook.466s.mp4 54.5 MB
  • 158.How many frames do you need for slow motion.235s.mp4 34.2 MB
  • 159.Shooting high frame rate with a pro camera.279s.mp4 40.4 MB
  • 160.Advanced options for high frame rates.423s.mp4 61.8 MB
  • 161.4K versus UHD.91s.mp4 14.0 MB
  • 162.Resolution numbers.310s.mp4 42.3 MB
  • 163.Standards and beyond.266s.mp4 39.5 MB
  • 164.What is Periscope.115s.mp4 15.9 MB
  • 165.What gear do you need.278s.mp4 41.4 MB
  • 166.Starting a broadcast on Periscope.639s.mp4 70.4 MB
  • 167.When to use a point-of-view shot.108s.mp4 35.2 MB
  • 168.Choosing a capture resolution for POV shots.290s.mp4 43.1 MB
  • 169.Mounting the point-of-view camera.408s.mp4 60.4 MB
  • 170.Evaluating the footage.310s.mp4 45.9 MB
  • Info/001.Using a GoPro to record a timelapse.118s.info.json 6.8 kB
  • Info/002.Recording as stills.252s.info.json 6.8 kB
  • Info/003.Recording as video.151s.info.json 6.8 kB
  • Info/004.Assembly.453s.info.json 6.7 kB
  • Info/005.The new GoPro HERO5 Black.144s.info.json 6.3 kB
  • Info/006.Video stabilization.202s.info.json 6.8 kB
  • Info/007.Linear lens correction.261s.info.json 6.8 kB
  • Info/008.Waterproof.258s.info.json 6.8 kB
  • Info/009.Raw photo.204s.info.json 6.7 kB
  • Info/010.Improved software.283s.info.json 6.8 kB
  • Info/011.Why is there buzz in my audio.70s.info.json 6.7 kB
  • Info/012.Removing buzz during production.356s.info.json 6.8 kB
  • Info/013.Removing buzz during post.444s.info.json 6.7 kB
  • Info/014.What is noise.154s.info.json 6.7 kB
  • Info/015.Reducing noise and grain in After Effects.562s.info.json 6.8 kB
  • Info/016.Using Neat Video noise reduction.598s.info.json 6.8 kB
  • Info/017.What is Rec. 2020.462s.info.json 6.6 kB
  • Info/018.Rec. 2020 in production and post.297s.info.json 6.8 kB
  • Info/019.Rec. 2020 for consumer products.280s.info.json 6.7 kB
  • Info/020.Recording the screen of a phone or tablet.97s.info.json 6.8 kB
  • Info/021.Recording software for PC.379s.info.json 6.7 kB
  • Info/022.Recording software for Mac.352s.info.json 6.7 kB
  • Info/023.Recording hardware.228s.info.json 6.8 kB
  • Info/024.How do I light a product shot.73s.info.json 6.7 kB
  • Info/025.How to set up the background.154s.info.json 6.8 kB
  • Info/026.Using turntables to add motion.181s.info.json 6.8 kB
  • Info/027.Lighting components.347s.info.json 6.7 kB
  • Info/028.How can gimbals help stabilize shots.84s.info.json 6.7 kB
  • Info/029.Full-size gimbals.254s.info.json 6.7 kB
  • Info/030.Portable gimbals.297s.info.json 6.7 kB
  • Info/031.What is depth of field.250s.info.json 6.7 kB
  • Info/032.Wider aperature.301s.info.json 6.6 kB
  • Info/033.Using a telephoto lens.225s.info.json 6.6 kB
  • Info/034.Intro.157s.info.json 6.6 kB
  • Info/035.Single camera.578s.info.json 6.7 kB
  • Info/036.Multicamera rig.357s.info.json 6.6 kB
  • Info/037.Challenges of skin tones.238s.info.json 6.7 kB
  • Info/038.Essential items.230s.info.json 6.7 kB
  • Info/039.Advanced techniques.427s.info.json 6.7 kB
  • Info/040.The role of headphones in production and post.221s.info.json 6.8 kB
  • Info/041.Headphone designs.416s.info.json 6.7 kB
  • Info/042.Advanced techniques.254s.info.json 6.8 kB
  • Info/043.Why color correct live on set.146s.info.json 6.8 kB
  • Info/044.Working with a laptop only.318s.info.json 6.9 kB
  • Info/045.Using a breakout box.476s.info.json 6.8 kB
  • Info/046.Using a LUT box.550s.info.json 6.9 kB
  • Info/047.What is a GPU.216s.info.json 6.6 kB
  • Info/048.Desktop and mobile GPUs.455s.info.json 6.6 kB
  • Info/049.Specifications to look out for.502s.info.json 6.7 kB
  • Info/050.Benefits of using a drone.333s.info.json 6.7 kB
  • Info/051.Challenges of shooting people.301s.info.json 6.8 kB
  • Info/052.Safety advice.337s.info.json 6.7 kB
  • Info/053.What is DCI P3.271s.info.json 6.6 kB
  • Info/054.DCI P3 in production and post.295s.info.json 6.2 kB
  • Info/055.DCI P3 for consumer products.328s.info.json 6.7 kB
  • Info/056.What is LTO.342s.info.json 6.6 kB
  • Info/057.Connection and generation options.441s.info.json 6.2 kB
  • Info/058.Creating and using an LTO archive.421s.info.json 6.6 kB
  • Info/059.Using LTO cataloging software.326s.info.json 6.6 kB
  • Info/060.The challenge of proper exposure.192s.info.json 6.7 kB
  • Info/061.Using ISO or gain.274s.info.json 6.6 kB
  • Info/062.Using aperture.315s.info.json 6.7 kB
  • Info/063.Using shutter speed.488s.info.json 6.8 kB
  • Info/064.What is 3–2–1 backup.117s.info.json 6.7 kB
  • Info/065.3 copies.252s.info.json 6.7 kB
  • Info/066.2 formats.186s.info.json 6.7 kB
  • Info/067.1 offsite.394s.info.json 6.7 kB
  • Info/068.Shooting video with the iPhone 7.202s.info.json 6.8 kB
  • Info/069.Using the dual lens system on the iPhone 7 to shoot video.232s.info.json 6.8 kB
  • Info/070.Expanded functionality with the Mavis app.297s.info.json 6.8 kB
  • Info/071.Why you need a clean sensor.105s.info.json 6.7 kB
  • Info/072.Cleaning the sensor with the menu or a blower.250s.info.json 6.9 kB
  • Info/073.Dry sensor cleaning.465s.info.json 6.8 kB
  • Info/074.Wet sensor cleaning.319s.info.json 6.7 kB
  • Info/075.Why batteries.112s.info.json 6.7 kB
  • Info/076.Lights with internal batteries.248s.info.json 6.9 kB
  • Info/077.Lights with external batteries.334s.info.json 6.8 kB
  • Info/078.Using a generator.178s.info.json 6.8 kB
  • Info/079.Why change the color of lights.186s.info.json 6.8 kB
  • Info/080.Affordable methods.279s.info.json 6.8 kB
  • Info/081.Changing the temperature of fluorescent fixtures.383s.info.json 6.9 kB
  • Info/082.Bicolor and RGB lights.283s.info.json 6.8 kB
  • Info/083.Aesthetics for high-angle shooting.110s.info.json 6.7 kB
  • Info/084.Operating advice for getting high angles.287s.info.json 6.8 kB
  • Info/085.Safety advice.325s.info.json 6.7 kB
  • Info/086.Reasons to record live video on set.90s.info.json 6.8 kB
  • Info/087.Capturing with Blackmagic's Media Express.415s.info.json 6.9 kB
  • Info/088.Capturing with an NLE.285s.info.json 6.8 kB
  • Info/089.Doing a test key with a captured file.265s.info.json 6.8 kB
  • Info/090.The challenges of recording audio.104s.info.json 6.9 kB
  • Info/091.Using an attached mic.301s.info.json 6.8 kB
  • Info/092.Obstacles when using a lavalier microphone.204s.info.json 6.9 kB
  • Info/093.What is YouTube Live Streaming.126s.info.json 6.8 kB
  • Info/094.Setting up an account.258s.info.json 6.8 kB
  • Info/095.Enabling and running a broadcast on YouTube Live Streaming.392s.info.json 7.0 kB
  • Info/096.Variable ND filters.113s.info.json 6.8 kB
  • Info/097.When to use a variable ND.266s.info.json 6.7 kB
  • Info/098.The mechanics of using a variable ND.258s.info.json 6.4 kB
  • Info/099.Why monitor wirelessly.166s.info.json 6.7 kB
  • Info/100.Wi-Fi monitoring.232s.info.json 6.8 kB
  • Info/101.RF monitoring.304s.info.json 6.7 kB
  • Info/102.How to capture audio from a distance.109s.info.json 6.8 kB
  • Info/103.Shotgun microphone.297s.info.json 6.7 kB
  • Info/104.Boom microphone.297s.info.json 6.7 kB
  • Info/105.Wireless microphone.298s.info.json 6.7 kB
  • Info/106.The impact of frame rate.263s.info.json 6.7 kB
  • Info/107.Shooting with standard frame rates.231s.info.json 6.7 kB
  • Info/108.Shooting with high frame rates.350s.info.json 6.3 kB
  • Info/109.Manually focusing.140s.info.json 6.7 kB
  • Info/110.Why manual focus.201s.info.json 6.6 kB
  • Info/111.Manual focusing technique.315s.info.json 6.8 kB
  • Info/112.Aesthetics for low-angle shooting.198s.info.json 6.7 kB
  • Info/113.Operating advice for getting low angles.260s.info.json 6.7 kB
  • Info/114.Safety advice.263s.info.json 6.7 kB
  • Info/115.What is Google Hangouts.102s.info.json 6.7 kB
  • Info/116.How to start a Google Hangout.400s.info.json 6.3 kB
  • Info/117.How to start a Google Hangout On Air.349s.info.json 6.8 kB
  • Info/118.Advanced options for Google Hangouts On Air.419s.info.json 6.9 kB
  • Info/119.Control room for Google Hangouts On Air.242s.info.json 7.0 kB
  • Info/120.The benefits of stabilization.245s.info.json 6.8 kB
  • Info/121.Using the DJI Ronin.273s.info.json 6.2 kB
  • Info/122.Using the DJI Osmo.299s.info.json 6.6 kB
  • Info/123.Using the ikan FLY-X3.265s.info.json 6.7 kB
  • Info/124.The importance of white balancing.121s.info.json 6.8 kB
  • Info/125.Using presets.272s.info.json 6.6 kB
  • Info/126.Setting the color temperature.301s.info.json 6.7 kB
  • Info/127.Performing a custom white balance.171s.info.json 6.9 kB
  • Info/128.Why use log mode.256s.info.json 6.6 kB
  • Info/129.Recording log mode in camera.383s.info.json 6.7 kB
  • Info/130.Recording log mode with a disk recorder.293s.info.json 6.8 kB
  • Info/131.The challenge of one light.128s.info.json 6.8 kB
  • Info/132.What other gear do you need.249s.info.json 6.8 kB
  • Info/133.Recording log mode in camera.310s.info.json 6.7 kB
  • Info/134.Log-encoded video.107s.info.json 6.6 kB
  • Info/135.Where does log come from and why use it.244s.info.json 6.2 kB
  • Info/136.Viewing log.306s.info.json 6.2 kB
  • Info/137.Three-point lighting.88s.info.json 6.7 kB
  • Info/138.The key light.236s.info.json 6.7 kB
  • Info/139.The fill light.226s.info.json 6.7 kB
  • Info/140.The back light.186s.info.json 6.7 kB
  • Info/141.Additional options.121s.info.json 6.8 kB
  • Info/142.Memory cards and readers.104s.info.json 6.7 kB
  • Info/143.Card types and speeds.450s.info.json 6.7 kB
  • Info/144.Memory card readers.248s.info.json 6.7 kB
  • Info/145.What is a Boom Mic and When Should I Use It.238s.info.json 6.7 kB
  • Info/146.Holding the Boom.170s.info.json 6.7 kB
  • Info/147.Pointing the Microphone Correctly.142s.info.json 6.7 kB
  • Info/148.What is the 'right' Shutter Speed.227s.info.json 6.7 kB
  • Info/149.Shooting With a Slower Shutter Speed.236s.info.json 6.8 kB
  • Info/150.Shooting with a Higher Shutter Speed.303s.info.json 6.8 kB
  • Info/151.What is transcoding.171s.info.json 6.7 kB
  • Info/152.When Should I Transcode.375s.info.json 6.7 kB
  • Info/153.How Do I Transcode.705s.info.json 6.7 kB
  • Info/154.Why Might I Skip Transcoding.155s.info.json 6.8 kB
  • Info/155.Using Facebook Livestream.85s.info.json 6.8 kB
  • Info/156.Essential gear for live streaming.206s.info.json 6.8 kB
  • Info/157.Starting a broadcast on Facebook.466s.info.json 6.7 kB
  • Info/158.How many frames do you need for slow motion.235s.info.json 6.8 kB
  • Info/159.Shooting high frame rate with a pro camera.279s.info.json 6.8 kB
  • Info/160.Advanced options for high frame rates.423s.info.json 6.8 kB
  • Info/161.4K versus UHD.91s.info.json 6.7 kB
  • Info/162.Resolution numbers.310s.info.json 6.6 kB
  • Info/163.Standards and beyond.266s.info.json 6.8 kB
  • Info/164.What is Periscope.115s.info.json 6.7 kB
  • Info/165.What gear do you need.278s.info.json 6.7 kB
  • Info/166.Starting a broadcast on Periscope.639s.info.json 6.7 kB
  • Info/167.When to use a point-of-view shot.108s.info.json 6.7 kB
  • Info/168.Choosing a capture resolution for POV shots.290s.info.json 6.7 kB
  • Info/169.Mounting the point-of-view camera.408s.info.json 6.7 kB
  • Info/170.Evaluating the footage.310s.info.json 6.6 kB

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